Jaromil Jireš’s dreamlike Czech New Wave film is a visually sumptuous, allegorical coming-of-age story. Young Valerie navigates a surreal, often unsettling, landscape of vampires, priests, and sexual awakening, blurring the lines between reality and nightmare. Its poetic imagery and folkloric motifs create a unique, hypnotic experience, a deeply personal and sensuous exploration of innocence lost and newfound sensuality.
from “11 Cinematic Journeys You've Likely Overlooked, But Shouldn't” →
This Czech New Wave fairy tale is a surreal, dreamlike journey into the sexual awakening of a young girl. Jaromil Jireš crafts a visually stunning, almost hypnotic experience, blending horror, fantasy, and coming-of-age themes with exquisite artistry. It’s a film that defies easy categorization, feeling both innocent and deeply unsettling. The 1970 version is a truly unique piece of cinema, a beautiful, unsettling poem that sticks with you long after viewing, begging for rediscovery.
from “10 Visionary Films That Hollywood Forgot (But You Shouldn't)” →
*Valerie and Her Week of Wonders* from 1970 is pure, unadulterated surrealism. This Czech New Wave gem is like a dream you can't quite shake off, following a young girl's journey through a fantastical, often unsettling, coming-of-age. It's packed with symbolic imagery, a fairytale logic, and a vibe that feels both innocent and deeply mysterious. If you're into movies that play by their own rules and look absolutely gorgeous, this is it.
from “Your Watchlist Is About To Get 6x Better With These Underrated Bops” →
"Valerie and Her Week of Wonders" from 1970 is this gorgeous, surreal fairytale that feels like it stepped right out of a dream. It's so visually poetic and evokes a world of blossoming innocence and unsettling, magical mystery. Watching Valerie's journey feels like peeking into someone else's vivid, slightly dark childhood memories, full of symbolic imagery and a sense of timeless wonder. It's truly unique and captivating.
from “9 Films That Feel Like Unlocked Memories From Another Timeline” →