Robert Downey Sr.’s 1969 satirical gem is an audacious, anarchic send-up of advertising, race, and corporate America. When a Black executive accidentally becomes chairman of an ad agency, he rebrands it and sparks a chaotic revolution. Shot partly in black and white, partly in color, its irreverent humor and razor-sharp social commentary feel remarkably prescient. It's a cult classic that gleefully dismantles establishment norms with a punk rock spirit.
from “The Craftsman's Cut: 10 Essential Films You Haven't Seen Yet” →
Luis Buñuel's 1972 surrealist gem perfectly skewers the empty rituals and hypocrisies of the upper class. A group of friends repeatedly tries to have dinner, only to be interrupted by increasingly bizarre and dreamlike events. It’s a profound commentary on the performative nature of society, where basic human interactions are constantly thwarted by societal expectations and internal anxieties. Today's polite fictions feel equally fragile.
from “9 Cinematic Truths That Make Today's Headlines Look Like Fan Fiction” →
Robert Downey Sr.'s 1969 satirical masterpiece is a wild, anarchic ride that skewers corporate America and racial politics with gleeful abandon. When a token Black executive accidentally takes over an ad agency, chaos, and genuine counter-culture brilliance ensue. It's absurd, hilarious, and still shockingly relevant today. This flick is a bold, in-your-face declaration against conformity, filmed in a mix of black and white and color, and it’s perfect for anyone who loves their cinema with a side of absolute mayhem.
from “6 Movies Seattle's Indie Theaters *Should* Be Screening ASAP” →
