Ken Russell threw John Corigliano’s screeching score against pure optical compositing, and it still rattles teeth. Dick Smith built foam latex bladders under William Hurt’s skin to sell the devolution, beating any computer rendering you can buy today. Jordan Belson manipulated physical fluids and mechanical light rigs for the sensory deprivation trips. If your only exposure is an over-compressed streaming rip with crushed blacks, track down the vintage pressing on physical media to see real film grain breathe.
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