Witchfinder General’s *Death Penalty* stands as one of the earliest, most unholy blueprints for doom metal. Released in ‘82, it channels Black Sabbath’s heavy, monolithic riffage into something even more oppressive and sinister. Zeeb Parkes’ vocals howl over Gary Martin’s crushing drums and Phil Cope’s sludgy guitar, creating a sound steeped in occult imagery and raw power. This was the sound of metal slowing down, getting heavier, and finding its darker, more menacing soul.
from “9 Sonic Anomalies That Rewired the Circuits” →






