My, this is quite the production, isn't it? It reminds me of those grand historical plays we'd occasionally stage, but with a continuity that unfolds over years, not just a single evening. You get a sense of the weight of history, the intricate dance of power behind closed doors. And the casting, well, they really do look the part, which was always half the battle in making the audience believe. It’s a proper spectacle, and yet, quite intimate in its way.
from “10 Programs That Still Understand What Television Is For” →
So, The Crown just swaps out its entire main cast every two seasons. One minute you're watching Olivia Colman, the next it’s Imelda Staunton. Same character, totally different face, different energy. It’s wild because you intellectually know why they do it, but emotionally, it's a jump. You spend episodes re-calibrating, trying to connect the dots. It’s an interesting narrative choice, but definitely a 'wait, who is that?' moment every time.
from “8 TV Characters Who Just Dropped A Whole New Look, And Yeah, We're Confused.” →