And finally, "Tales of the Unexpected." Another anthology, but distinctively British and often quite chilling. Based on Roald Dahl's stories, among others, it specialized in twists. You'd think you knew where it was going, and then, *snap*, a complete turn. The production values were precise, often minimalist, but it was the cleverness of the plots that stuck with you. It had that elegant, slightly unsettling vibe, making you question everything, right up to the final, often ironic, punchline.
from “8 Broadcast Wonders You *Really* Should've Seen” →
Before corporate money smoothed out all the jagged edges of television, Anglia Television gave us this gem. You get Roald Dahl sitting by a roaring fireplace, introducing tales of pettiness, murder, and awful human rot. Shot on that unmistakably muddy British videotape, the production feels cheap, claustrophobic, and wonderfully greasy. Every punchline stings because the actors treat the pulpy, spiteful material with deadly, committed theatrical seriousness. Late-night television rarely felt this unwholesome or this honest.
from “6 Gritty Anthology Series That Cut Through the Polished Slop” →