Ah, The Fall, 1980. Mark E. Smith, the ultimate anti-rock star, presiding over a repetitive, angular, sardonic masterpiece. *Fireside Favourites* is post-punk as a relentless, hypnotic throb, Smith's declamatory vocals weaving abstract narratives over a tight, almost industrial groove. It's got the blues' cyclical nature, punk's disdain, and a sneering intellect all its own. Pure, unadulterated Manchester grit.
from “8 Raw Sounds the Streets Forgot: Your Mardi Gras Antidote” →
The 1981 debut from The Associates is an eccentric, dazzling display of art-pop brilliance. Billy Mackenzie’s extraordinary vocal range and theatrical delivery are the undeniable focal point, yet the music itself is equally inventive. Unconventional arrangements, shimmering guitars, and intricate synth melodies, all recorded with a pristine analog sheen, create a sound that is both sophisticated and utterly unique. It’s a wonderfully strange, captivating listen, brimming with unexpected turns.
from “7 Analog Alchemy Masterworks You Absolutely Overlooked” →