Battles' 2007 debut was a revelation, pure math-rock wizardry cranked through a digital effects rack. It wasn't just complex; it grooved, it pulsed, it had this weird, almost playful energy. The guitars, the drums, the synths – they all locked into these intricate, interlocking patterns that were both brainy and totally visceral. It felt like the logical next step for instrumental rock, pushing boundaries with precision and infectious rhythm.
from “8 Albums From the Digital Wild West That Still Hit Different” →
Battles' 'Mirrored' is just pure, unadulterated rhythmic genius. The way they weave these complex, interlocking patterns with live drums, guitars, and electronics is insane. It's math rock taken to a hyper-modern, almost alien level. This isn't about catchy melodies or synchronized dance breaks; it's about pushing the boundaries of rhythm and texture. It's a complete deconstruction of what 'pop' could even mean, in the best way possible.
from “12 Releases That Proved Synchronicity Is Overrated, Even For Idols” →